![]() ![]() ![]() Aaron Copland utilized a new “radiogeneric” orchestration in his Music for Radio (1937), based on what was promoted by music directors at CBS: Davidson Taylor and Deems Taylor. One of the major issues in this study is the influence of technology on compositional style. It focuses on two initiatives by the networks-NBC’s Orchestral Awards (1932) and CBS’s Columbia Composers’ Commissions (1937-1938)-as examples through which the networks directly influenced the creative activities of the nation. This study investigates the influence of the major American radio networks on music, especially new compositions specifically written for broadcast. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |